Showing posts with label goth. Show all posts
Showing posts with label goth. Show all posts

22 November 2015

[audio] Fields of the Nephilim live in Birmingham, 4 October 1990

Fields of the Nephilim live at Hummingbird, Birmingham, England, 4 October 1990.



I came across this Fields of the Nephilim board tape on Dark Circle Room, and the original flac is downloadable here- http://darkcircleroom4.blogspot.fr/2013/10/re-upload-fields-of-nephilim.html. It has a lot of things going for it:

1. It was recorded on the tour for Elizium, the same tour that spawned one of the best live albums of all time, bar none, Earth Inferno. This was a period when the band was at the height of it's powers (aka before they started losing original members and eventually morphed into a second-rate heavy metal band).

2. It sounds super amazing for a board tape. In stereo, no distortion, very good balance between instruments.

3. It's an epic concert. One hour and 40 minutes, including all songs from the Elizium album.

4. Technically, it's a very clean recording. Cassette was pretty much standard back in 1990 for these type of recordings, but this sounds much cleaner than cassette. So maybe dat was the original recording medium*?


But, with that said, I also noticed some deficiencies, some room for improvement:

1. Somebody had obviously transferred it from cd to flac at some point, because it has those little audio hiccups/gaps right where one song transitions into another. I hate those things, so I edited them out. There were also some fade outs and fade ins to edit out the time between encores, so I edited those out so it now sounds like one continuous recording.

2. In the original flac, the one minute intro thing is not quite in tune with the intro guitar of the first track, Preacher Man. Not everybody will notice stuff like that, but I'm a musician, and that stuff makes my ears cringe. So I pitched that intro down 1/4 of a step, and now it's perfectly in tune (Waves SoundShifter Pitch to the rescue!).

3. The bassist misses a note in one of the songs, so I fixed it.

4. The entire recording needed the standard remastering treatment, so now it sounds a bit fuller, ballsier, sharper, crisper, and all around more pro.

* I have suspicions that this isn't a standard board tape. First of all, the crowd sounds are much too present to have been picked up by only the mics on stage. Plus, the crowd is in stereo. Which means somebody set up mics specifically to capture the crowd sounds, and there's absolutely no reason to do that except for the specific purpose of multi-track recording the concert for a live album. Also, you can hear in the intro of Blue Water where the crowd is cheering the previous song's performance, and when Carl starts singing, the crowd sounds drop off quite unnaturally. That tells me that the at least the crowd was multi-tracked, and had their own faders.

Secondly, the mix is just too good for a board tape. I suppose that could be a coincidence that the relative volumes of all the instruments and vocals simply fell into place so the front of house mix sounded this perfect as well as the signal being sent to tape. Especially with all the volume coming from the amps on stage, as well as the monitors, it's too unlikely that this is a standard board tape.

Have you seen the Visionary Heads video? That's the live video from this tour, with many of the songs in that video being the same versions as on Earth Inferno, and a couple extras. You will notice in that video that there are many shots that are used and reused and reused again. That recycling isn't that big of a deal; I never gave it too much thought. But now as I hear this Hummingbird recording, I have a somewhat far-fetched theory-

I think this Hummingbird show was professionally audio and video recorded, but for one reason or another was never released, neither audio nor video. The video that was recorded on this night was meant to supplement the footage that became the Visionary Heads video, but for some unknown reason wasn't able to be used. Or maybe I'm completely wrong, but in any event, I strongly suspect this show was multi-track recorded (or perhaps submixed to ADAT with drums on two tracks, guitars/bass/synths on two more, vocals on another and the crowd sounds on two more), and somebody had the wherewithal to mixdown a copy of the entire concert for themselves to a couple cds (which is why there's also a break in the original flacs right at 51:30, thus splitting the concert into a first and second half, because the full concert is far too long for a single cd's 80 minute capacity), and those cds eventually found their way to the internet.

It's just a theory. I dunno.

Tracklist:

(0:00) Dead but Dreaming
(1:05) Preacher Man
(5:57) Blue Water
(11:37) Love Under Will
(18:01) Sumerland
(26:22) Wail of Sumer
(32:49) And There Will Your Heart Be Also
(36:28) For Her Light
(40:51) At the Gates of Silent Memory
(48:27) Paradise Regained
(51:27) Moonchild
(57:05) Submission
(1:04:59) The Watchman
(1:11:09) Psychonaut
(1:20:33) Last Exit for the Lost
(1:30:57) Dawnrazor

13 April 2015

[audio] The Young Gods live at Roadburn 2009 remastered


If you didn't know, the authoritative blog for all difficult or otherwise impossible to find live recordings and bootlegs from 80s, 90s and 2000s goth and industrial bands is Dark Circle Room (blog, FB). They're huge on Sisters of Mercy, and have an extensive catalog of all the big names from those decades. Lots of videos as well as mp3s, and all for download. Many of the recordings don't sound all that great, especially the audience bootlegs which probably will appeal only to the diehards. But they also have many board tapes, tv broadcasts and audio rips of pro-shot VHSs which are worth grabbing.

I was browsing through their Young Gods selections when I found a download of a webcast of a performance at Roadburn Festival in the Netherlands in 2009. So it sounded pretty good in the first place- no doubt they just fed the main board mix to the internet. In effect, a board tape. Young Gods are one of my all time favorites, so I was stoked to have found it. At the same time, me being an audio engineer, nothing ever meets my ears without me thinking, 'hmm, I bet you anything I can make this sound better.'

The instrument balance was done for the speakers in the venue, not for the webcast/recording, so it's understandable that some stuff will sound kinda weird. In this recording, the vocals were buried way down in the mix, and the drums were way too loud. I'm sure in the hall it sounded fine, but for my purposes, I wanted to try and even that out. And I have the tools and the skills to do that, so I did it. Also, one thing that plagues every webcast are the little hiccups and drop outs in the audio, and this one was no different. I fixed up all of those as well, and also fixed the overall level which was a bit lacking in the original.

So what I ended up with was a pretty great recording. I know I'm not the only Young Gods fan out there, so I sent my remastered version to Dark Circle Room and asked if they could post it. They were kind enough to do so, and it's now available for download from their blog. Go get it here.

06 May 2014

compilation of punk/goth/new wave/metal bands in 70s/80s horror movies

OK, so here's that video compilation of bands in horror flicks that I put together. Turned out rather well. I love the wipe style. I remastered every bit of audio, so it sounds extra sharp. The Siouxsie song is from a movie called Out of Control which isn't a horror flick, but I included it anyway.

You may be asking yourself why I did this. It's a good question, and I don't have a reasonable answer. It's just that I watch so many of these types of movies, and it always strikes me as so funny when a band gets some screen time to play one of their songs with the idea that the music is supposed to be in some way threatening or scary or underground-y or ominous or dangerous or something like that. Obviously, as we're now 30-40 years later, none of this music comes anywhere even remotely close to being scary, so I guess it's just the silly campiness of it that I find funny.

Anyways, enjoy it or not. Here's the tracklist-

(0:00) intro
(2:08) unknown artist 'Revenge' from Deadline (1984)
(5:16) Shadow 'New Years Evil' from New Years Evil (1980)
(7:00) Siouxsie & the Banshees 'Cities in Dust' from Out of Control (1986)
(8:21) Shadow 'untitled blues jam' from New Years Evil (1980)
(8:45) 4 Out of 5 Doctors 'Waiting for Roxanne' from The House on Sorority Row (1983)
(9:33) Tony Coca-Cola and The Roosters 'untitled song' from The Driller Killer (1979)
(13:55) Samson 'Vice Versa' from The Incubus (1982)
(16:14) Made in Japan 'The Cooler' from New Years Evil (1980)
(17:05) Paula Sheppard 'Me and My Rhythm Box' from Liquid Sky (1983)
(20:10) Shadow 'Temper Tantrum' from New Years Evil (1980)
(21:56) Felony 'Gangster Rock' from Graduation Day (1981)
(29:30) Made in Japan 'Dumb Blondes' from New Years Evil (1980)
(30:25) unknown artist 'unknown song' from Horror Hospital (1973)
(32:20) unknown artist 'unknown song' from Savage Streets (1984)
(32:56) Made in Japan 'Bonsai' from New Years Evil (1980)

(33:27) unknown artist 'unknown song' from The Driller Killer (1979)